'Blade Runner' Semiotics

Each of the main characters is associated with an animal.
Roy - is both a wolf and a dove,
Rachael - is connected to the spider,
Tyrell - Owl and
Deckard - to sushi (raw fish) and the unicorn.

Each creature also carries connotations of character:
Roy’s dove - a link to his final scene in which he holds a dove – a symbol of peace and often the soul, it flies from his hands when he dies.
Significance? the slow extinction of Earth’s natural animals and their replacement by replicants.
- Human fears replicants replacing all humans
- Or the preciousness of each individual, as once they are extinct (dead) nothing again will be exactly like them.
- In fiction,(for example His Dark Materials by Philip Pullman), the soul’s outward appearance often has that of an animal. The Point: Replicants have souls too despite their unnatural creation.

 

The chess game between Tyrell and Sebastian:

Uses the conclusion of a game played between Anderssen and Kieseritzky (London, 1851). It is considered one of the most brilliant games ever played, and is universally known as "The Immortal Game".

Symbolism?

- The concept of immortality 

- Represents the struggle of the replicants against the humans: the humans consider the replicants pawns, to be removed one by one. 

- Or it represents the game between Tyrell and Roy who is stalking Tyrell. 

Eye symbolism is also a key part of the narrative shown through images of:
    - The eye in the opening shots

    - Replicants' eyes glow

    - Tyrell has huge glasses to make his eyes bigger

    - Eyes are used in the VK test to examine pupil dilation and seek emotional reactions/lies

    - The first person the replicants go to is Chew, at the Eye Works, who makes the Nexus’ eyes. He says "Eyes, eyes... I do only eyes"

    - Roy replies "Chew, if only you could see what I've seen with your eyes!" 

    - Leon tries to stick his fingers in Deckard's eyes and Roy kills Tyrell by sticking his thumbs in his eyes

    - Roy says "I've SEEN things you people wouldn't believe” and "I wanted to SEE you"

The film’s theme, the quest for immortality, is linked to the ever-present eye motif:
- eyes are the windows to the soul, and only the soul is immortal 
- The replicants’ underlying humanity is displayed through showing their ‘souls’ in this way, as well as through their attachments to each other.   

There is also a lot of religious symbolism within the narrative. Roy, who is shown to have a dual nature, is shown on the one hand to be Lucifer and the other replicants are fallen angels because they were inherently benign creatures who became violent only through the neglect of a corrupt society. 

Roy paraphrases part of William Blake’s “America: A Prophesy” which supports the theory that the replicants are representing the fallen angels.

Roy:  "Fiery the angels fell, // Deep thunder roll'd around their shores // Burning with the fires of Orc." 

Blake: "Fiery the angels rose, // And as they rose deep thunder roll'd // Around their shores: indignant burning with the fires of Orc."

In the light of this idea the screenwriter plays with the idea that these human creations show us more about the ugliness of man then they do of the created.

On the other hand, Roy can be shown to be Christ. As he begins to cramp and die Roy puts a nail through his palm – a symbol of crucifixion. The society was not ready for replicants on Earth and so programmed them to die after only a glimpse of the world. When Roy dies it is a release from his torment. 

'1984' Film Deconstruction

1984 (1984)     Director: Michael Radford     Genre: Drama, Romance, Sci-Fi

 ‘1984’ is the film adaptation of George Orwell's novel of “a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love”. The government of the totalitarian society in Oceania, Ingsoc., has perfect the means of retaining power, absolute power, for eternity. Love, Peace, Trust, Freedom, Worship and Humanity have all been distorted in the novel, all that is left is a cruel and endless hierarchy imposing poverty, fear and immorality –in short a society built on hatred where even family no longer matters. The eradication and manipulation of the past and the brutality of the Thought Police creates a horrifying dystopia, and looming over this horrific world is the face of Big Brother: ruler, dictator, idol. The audience follows Winston Smith who attempts to take back a part of his freedom and humanity by allowing himself to feel. (Click here to read about the novel)

Title:
- ‘1984’ is the year the protagonist, Winston Smith, believes he lives in –therefore it is the year the film is set in.
- Orwell’s suggestion?
if the totalitarian model of government wasn't discredited and abandoned, the world might look this way in 1984.
- Original novel was written in 1948, idea came from flipping the last two numbers.
- The original title for the novel was ‘The Last Man in Europe’, ‘Nineteen Eighty-Four’ was more enigmatic.
- Potentially an allusion to the poem ‘End of the Century, 1984’ by Eileen O’Shaughnessy who was Orwell’s first wife.

Due to the success of this novel the phrase ‘Orwellian’ has come to describe a totalitarian dystopia characterised by government control and subjugation of the people.

Tagline: 
‘Big Brother is watching…’
- motif of posters  throughout the film of Big Brother which bear the inscription “Big Brother is Watching You”.
- The idea of being watched creates an element of uneasiness and a pervading sense of fear.
- Epitomises the film =  the quest to allude being seen, yet it is also a core ‘truth’ in the film’s society.

The term ‘Big Brother’ has become synonymous with the idea of abuse of government power, often at the expense of civil liberty, particularly relating to mass surveillance.

Characters:

Big Brother is the embodiment of The Party who rule Oceania and is at the top of this social hierarchy. In both the novel and film it is not clear whether Big Brother is alive or dead, or even existed – some comments allude to him being merely a fictional character created to personify the Party, and used a substitute for a God or idol.
- The Party claim that he was one of the original founding members of the Party
- devotion is shown through the ‘Two Minutes Hate’ depicted in a cultish way.
Love for Big Brother is controlled and created by the three ministries: the Ministry of Peace – which deals with war,
the Ministry of Love – which is to do with surveillance and torture and
the Ministry of Truth – where propaganda and subversion of history occurs.

Costume: Big Brother’s clothing is never actually seen. His face fills the telescreen in an intimidating manner and he is only a dominating presence throughout the film and book -never met in the flesh.

Type-casting:

Big Brother has slicked back hair and a clipped moustache.

Appearance - bears a resemblance with some infamous European dictators such as Stalin and Hitler.

Age - difficult to gauge because of his features but also because his intense eyes draw the audiences’ gaze in an almost hypnotic way. He is an imposing character and, on sight, one to be feared.

It is believed that the film version Big Brother was partially inspired by the WW1 Lord Kitchener poster.

Winston is the protagonist of the film and it is through his eyes that we discover the world of 1984.
- appears to have strong moral values 
- a man of belief although he is unsure in what exactly he believes in.
- In Winston Orwell explores the concept of humanity and human instinct, whether it is inherent or whether it must be sought and through Winston’s description as the ‘last man in Europe’ the society is presented as lacking this sense of humanity and duty to one another.

Winston records his awakening to the disturbing present he lives in and the audience sees as he verbalizes and finally takes action to rebel against oppression and hatred.
Winston is revealed to be a very noble and selfless hero as he takes these life endangering steps without hope that he will live to see the change he fights for and also without knowing if anyone else will.
He struggles to be human in an environment that is designed to dehumanize. He gives up his life and eventually his soul and spirit so that he can live and think, even for a short time, as a human being, emphasising that the struggle in itself is valuable.
It is his love for Julia that allows him to have this courage and despite being isolated and broken he still believes in his own truth.

Costume: Winston
- a dirty, blue, generic jumpsuit,
- synonymous with physical labour.
- In some ways ironic, Winston strives to be different from everyone else by reclaiming his humanity and control over his feelings yet he is dressed exactly the same.
- His dress also alludes to the poverty endured by the nation.
- Whilst under torture, both physically and mentally, he is denied the human right of clean clothes in order to degrade and humiliate him.

Type-casting: John Hurt, who plays Winston, is middle-aged –fitting the description in the book, and is made to look neither ugly nor handsome.
- aligned with an everyman.
His haircut is eerily similar to George Orwell’s in the photo used for the trailer, perhaps to subtly allude to the author throughout the film.

Julia is a complex character.
- On the surface a true advocator of the Party and their principles
- underneath she rebels and rages at the injustices of the society although not on the intellectual level that Winston does.
- confident,
- sensual and
- athletic character all of which draw Winston to her, initially due to hatred because she is unattainable, at the start of their love affair.
- Her way of rebelling is by reclaiming the right to her own body and experiencing the feelings of intimacy through companionship.
- She lives the rebellion in her present and tries to convince Winston to make the most of their one life without worry about the future.
- Her feelings of self-preservation and self-confidence are greater than Winston’s, making her better adapted to active rebellion in a way that he does not have the capacity for, albeit through minor crimes.
- Both Winston and Julia believe that their hearts cannot be broken by the Party and they cling together to protect their human selves.

Costume: Julia
-  the same blue jumpsuit as Winston,
-  hers is cleaner highlighting that she hasn’t been broken by the society yet, as he has.
- no makeup
- a red sash, worn around her waist. It is, ironically, to show her ‘abstinence and celibacy’; however, red is the colour of passion, love and lust.
- Winston and Julia's sexual relationship mean that they are often shown naked together. The clothes, then, become symbolic of them shedding the oppression of the society.


Type-casting: Julia
- dark hair 
- pale skin,
- just as Winston could be any man, she could be any woman.
- her youth and vitality which makes her desirable and beautiful to Winston. - Her hair is usually neatly pinned back, another way of reducing individuality and highlighting how society imposes on even the smallest details of the character’s lives.

References:

http://www.itiscannizzaro.net/Ianni/booksweb/sito1984/papers/characters.htm

http://en.wikipedia.org/wiki/Nineteen_Eighty-Four#History_and_title

http://www.imdb.com/title/tt0087803/

http://callcenterpurgatory.blogspot.com/2004/11/winstons-struggle.html

'1984' Trailer Deconstruction

Hooks of this 1984 film trailer for ‘1984':
- the integrity of the novel which, published in 1949, had long since been regarded a classic or as the trailer states “the biggest selling futuristic novel of our time”, with a previous 1954 TV film adaptation to its name. - The trailer begins with a black and white photo of the famous author, George Orwell. “In 1984 this man had a vision…” the voiceover begins, which will last throughout the 2minute 39 trailer.
- Orwell’s image creates credibility and gravitas for the film, the implication is that this film has stuck closely to the book and if someone liked the book they should be interested in the film. - Big stars, “a cast to match its stature”, also act as a major attraction and the actors playing the four major characters of the narrative are introduced individually and their names are then recapped at the end as well.
- Today concepts like ‘Big Brother’ and ‘Room 101’ are almost as iconic as the novel itself.

Voiceover: 
-  sets up the complex narrative and is heard throughout.
- phrases such as “A haunting and terrifying vision of what the world might become before the end of the twentieth century…” which highlights that for Orwell this novel was a futuristic narrative of a dystopian society “in the grip of fear”, “conformity”, “continuous surveillance” and “ceaseless war”.
- emphasises the shocking and frightening world of the film
- links the disjointed images, which show visuals of what the voiceover comments on. - introduces the main characters

Characters:
                        Winston Smith “solitary rebel against a merciless state, a classic hero” = familiarity with the characters
          = Winston gains audience sympathy
          = intrigue with their roles
          = his dialogue introduces the theme  of ‘truth’ in the film
                    
                     Julia “whose love for Winston transforms his secret dreams into vivid dangerous reality…”
           = love interest - affection between them,            
           = the provocateur of the relationship and the catalyst for the events of the novel
           = importance
           = contrast with the “hatred” of the society
           = their doomed existence/relationship, always under threat

 Transitions:

- Fades - creating a sinister slowness to the opening of the trailer 
- cut-to-black edits or straight cut edits are used to increase the pace.

Motif of eyes throughout the trailer:
- constantly being watched creates a chilling ambiance on screen but also would make the audience also feel nervous and on edge.
- Big Brother’s face on the telescreen is a repeated image (also the final image of the trailer)
- he appears to be staring out, not just at the characters within the film world but also, at the audience.

Music:
- contrapuntal music - which is slow to begin with like a ballroom dance, orchestral sound, played at a low pitch, makes the images seem more disturbing.
- The corruption of the ‘future’ government is connoted to, “language and history are being systematically destroyed” by them to solidify their position in absolute power.

Genre:
Sci-Fi - images of poverty, conformity and oppression, through fear and violence, aims to shock the audience by highlighting the horror of this ‘possible’ future.
- Large crowd scenes of generic people, dirty and thin, emphasises the low quality of life and the power of Big Brother over them is that they cannot show passion, only “hatred”.

‘Thriller’ - secrets or hidden inner thoughts,
- the threat of torture and Room 101 and
- the ideas of rebellion against the corrupt
- ominous and tense atmosphere created.

- Quick shots of Winston in confinement or hiding in the dark from authorities all allude to mysteries and illegality of his actions, the audience is, by being placed next to Winston as the protagonist, rooting for him to succeed against the odds.
- Anticipation and excitement, as well as nervousness, are created through this desire.

- Enigma’s and mystery 
- very little narrative content is revealed 
- if any key moments are shown the deep, often confusing, and philosophical content of the film still leaves a large amount of questions at the end,
- enticing the audience to view the film.
- eg. "Room 101 is the worst thing in the world.” = complicated puzzles are integral to the appeal and suspense of the plot.

Romance 
- Human relationships are the central interest  of any narrative 
- the love between Julia and Winston is juxtaposed with the rest of the society and
- creates hope for the audience.

 

‘Action’
-highlights the destructive nature of the government in power and the dangers of the society,
- constant war eg. Explosions and fire create tension and fear.
In one shot the protagonist, Winston, is shown to be thrown over by the force of a nearby explosion.
- Close up images, where the fire is in the fore-front of the screen and use of increased volume  are contrasted with the stillness of the rest of the trailer and the dramatic edits to black create mystery, and fear for the lives of the characters.

Title:
- repeated twice in the trailer for memorability
- highlights its significance. 
- The titular year was the year of release of the film (some scenes were even shot on the days noted in Winston’s diary in the book!).
- “The Film of the Book of the Year” uses a dual meaning of ‘of the year’ which is a term usually associated with awards or praise but also alluding to the film’s “perfect timing”.

Anchorage:
- red, bold and angular typography with black outline
- creates the idea of a rigid structure and conformity which is apparent in the society of the film,
- red as the signifier of danger.
- The title either  fades in or zooms in, synchronous with an increase in music volume, for dramatic effect, filling the screen over an image of the dilapidated and grey world of the film in that year.  

'Page One' YouTube User Discussion

These are screen shots from a YouTube Trailer (Click here for the link). We are not actually looking at the trailer which is for an American Docu-Drama about a day at 'The New York Times'. We have focused upon the interesting comments made by YouTube users commenting on the role our journalists in our society, which is very relevant to our media product.

The comments above show the controversial debate at the heart of Media, and therefore News, publishers. There are the two conflicting views "Journalism is the cornerstone of democracy" writes Porterchas and advocates the idea of journalists "standing by their story", by extension dismissing the anonymity of Internet news sources.

However, in opposition it is pointed out that 'The New York Times' is "EXTREMELY biased" (commented by MrSuperiorBeing) thereby discrediting news items that they report because of its unreliability for impartial judgement.

Most interestingly it is the freedom of speech online which becomes the focus of the debate, with arabianknight86 who points out that "Wikileaks" was only necessary because journalists failed the public by not reporting news on the governments who were exposed to be covering up a number of indescrepancies. The implication is that journalism has become less about the 'freedom of speech' and delivering the truth to the public and more about business and political influence. This corruption is something which we have discussed as a group for our coursework and is the catalyst for the dystopian future we are in the process of creating.